The Makers Exchange

The Makers Exchange was a programme of creative workshops delivered in partnership with three craft organisations; The Sewing Rooms (Skelmersdale), Craftspace (Birmingham) and Stitches in Time (Tower Hamlets). The Makers Exchange brought together women with lived experience of asthma and scientists researching asthma to exchange their stories and knowledge through craft and conversation.

Creative facilitators with expertise in textiles, visual arts and storytelling led 31 participants in a mixture of in-person and online workshops to share their experiences and build a rich picture of asthma and its impact on people’s lives, and particularly the impact on women.

Women and Asthma

As part of the Makers Exchange process a poem was created from the stories that were shared.

Asthma is a wolf lurking in the shadows or a tiger pouncing on a small animal in the wintertime.
Asthma is a volcano, always there, bubbling, powerful, scary, ready to explode.
Asthma feels like a snake, twisting and squeezing. Tight, crunched, like a towel being wrung.
She feels heavy, like there are rocks in the bottom of her chest.
She feels pain at her front, at her back, her side. When the wheezing stops, the pain remains.
Asthma is the feeling of “Is this it? Is this my last breath?”.
When her baby has to go to hospital, asthma is a mountain.
When her child is in pain, she is in pain. She doesn’t sleep. She has headaches. She is angry at her other children.

Asthma is a storm, a tornado, a rush of immune cells. A flood. A swarm. A whirlwind – everything out of place.
Asthma is cells and signalling, fibres, fibrosis, scarring of airways, cross linking, remodelling, a dense mesh of tissue.
Asthma is a nasty little cave that she has to find her way out of, alone.
Asthma is ‘hafani’. In Bangladesh, asthma is hanging a betel nut around the neck of a child.
Asthma is worse in the wintertime, the summertime, at nighttime, in the cold, in the sun, in the wind, in the rain, in the pollution from the city, in the pollen from the forest.

Asthma is the dust from the rice husking factory where she worked.
Asthma is living on one of the busiest, most polluted roads in Manchester.
Her father smoked like a factory chimney. Her mother smoked. Her two older brothers smoked.
At work, they used a plug-in air freshener that set off her asthma. When she left that job, as a leaving gift, they gave her a day to make her own perfume.
Asthma is asking her friend not to come because they have a cold. “what a fusspot, she imagines them thinking”.
Asthma is limiting the things that she loves: flowers, cats, rabbits, football….
Asthma is sleeping next to her cat at night, even though she knows it will make her asthma worse. She loves her cat.
Asthma is appreciating clean, fresh air, after a rain storm, at the top of a mountain.

Asthma is planning experiments, slicing lung tissue, brushing the lungs, growing cells, feeding cells, caring for cells. Reading papers and textbooks.
Asthma is a high, thick wall, an insurmountable problem slowly being chipped away.
Asthma is imaging 37 things at once, like the layers of the seabed. A snapshot of the lungs.
Building an atlas of the airways.
Asthma is somehow connected to hormones, puberty, menstruation, pregnancy, the menopause, stress…

Asthma is prescriptions, blood tests, constantly planning ahead, starting and ending the day with her inhaler.
Her asthma becomes her husband’s work; cooking, cleaning, looking after the children.
Her son runs for the Ventolin. He doesn’t mind if he gets beans on toast for dinner.
Asthma is feeling embarrassed by the way her husband breathes. It is sitting at the back, with people she doesn’t know, because her husband was too ill to attend the wedding.
Asthma is there in their most intimate moments. It’s not sexy to smell of Vix.

Asthma is staying off school. They said it wasn’t fair for the teachers to deal with her asthma.
She was too ill to play sport. The games mistress didn’t understand, shouting “you stupid goose”.
She doesn’t like using her inhaler. She feels self conscious when they look, feels embarrassed by the noise.
Asthma is missing out, falling behind, feeling different. She keeps it to herself, she keeps it hidden and doesn’t talk about it.
She was a strong swimmer when she was well. She received a bronze medallion, became a lifeguard and felt like a normal teenager. She is proud to be alive.

Asthma is invisible. Nothing to see here. Her struggle to breathe is not seen, although she thinks about breathing all of the time.
Asthma is underestimated, taken too lightly. They talk down to her. They shrug. They tell her “just calm down”. They save their compassion for cancer.
Comfort is a clean duvet, curling up by the heater, a hug, a shower, a scarf and hat. Her faith, her god, Al-Shaafi, the healer. Sharing. By sharing it’s not so bad.
Asthma is sharing stories, having a voice and being heard.
Asthma is a different story for everyone.

Makers Exchange Quilt

Participants of the Makers Exchange made a collaborative quilt to share their stories about asthma.

Makers Exchange Facilitators

Esther Malvern

Esther is the Director of Stitches in Time, a participatory arts and education charity with a social enterprise arm based in Tower Hamlets. I work with textile arts, predominantly hand crafts (embroidery, crochet, knitting), designing and delivering creative projects co-designed with users in response to their needs, to empower individuals and build strong, inclusive, and cohesive communities.

https://stitchesintime.org.uk/

Onome Otite

Onome is a London-based artist, who uses textiles to create three-dimensional figurative collages. Drawing from her Nigerian heritage, she is influenced by women who use traditional clothing as a means of empowerment and to celebrate their womanhood. Her work introduces new narratives of West African culture and experience. As part of her practice, she also facilitates and produces art textile workshops to encourage collage, storytelling and community engagement.
https://www.onomeotite.com/

Chloe Rochefort

Chloe is an artist and facilitator, focusing on mental wellbeing and community-engagement through intuitive textile processes. I am a material-led creative and I consider interaction with textures as an act of self-care. I explore how creative initiative can participate in the welfare of specific communities and minorities. Through my collective and collaborative projects ( workshops, co-created and interactive installation ), I tackle themes such as self-confidence, “pride of place” and social integration.

https://www.chloerochefort.com/

Karina Thompson

I work with textiles.
I sometimes use nerdy digital things.
I help people tell their stories.
I love geeky biomedical data stuff which might feature in my own studio textiles and sometimes in the stories of people that I am working with; I sometimes don’t fully understand it all though.

https://www.karinathompson.com/

Melanie Tomlinson

Melanie’s sculptures and installations explore memory and visual narratives involving marginalized spaces and communities. She draws on her own memories of working-class heritage to honour the stories of the overlooked. She works with communities delivering interdisciplinary projects across a wide variety of contexts and particularly with newly arrived and vulnerable people. Melanie lives and works in Birmingham.

https://www.melanietomlinson.co.uk